Celebrating 9 Years of MONOLISA: Memories from 2026 | Artist Lisa Ramos

What was surprising that happened in 2026? My Autism, ADHD, and Dyslexia diagnosis. For decades, I felt different but couldn't explain why. After a five-month neuropsychological evaluation, I finally had answers. Looking back, so much of my life suddenly made sense. To learn more about my journey, read my blog article:  Why I Always Felt Different: My Late Diagnosis of Autism, ADHD & Dyslexia.

What was the hardest part of 2026? Stepping away from creative time and missing customers at some of the shows I had to cancel. It taught me that healing can't be rushed. I had to trust the process, just like I do when creating a piece in my studio. Whenever I try to rush a design, it never turns out the way I envisioned. I realized healing my body requires that same patience.

What was the most challenging show? For me, it was Yountville Art, Sip & Stroll. My husband, who now does all the heavy lifting at my shows (something I deeply appreciate), had to attend to a family matter, so I was on my own. After setting up my booth, I strained my pelvic floor while lifting, and the pain was intense. I wasn't sure if I could make it through the day, and I kept wondering how I was going to pack everything up afterward.

I just kept telling myself, go slow—you can do this. Somehow I made it through the show, but it took about a week to recover.

What was the biggest lesson I learned this year? No more lifting heavy bins or setting up my tent because of my health and pelvic floor dysfunction. I hate to admit it, but my body simply can't do it anymore. My old mindset of just keep pushing has been replaced with a new question: Am I physically capable of doing this?

What changes did I make to my studio this year? I got a new chair that reclines. I needed a chair that would let me recline and comfortably sit in a lotus position, and this one does exactly that. It's incredibly comfortable and has made spending long hours in my studio much more enjoyable.

What is my favorite MONOLISA piece I created?

I don't have one particular favorite piece, but it would have to be my new Rainbow Titanium Collection. I love the vibrant colors—they have the same uplifting feeling as spotting a rainbow in the sky. The collection also fits beautifully with the bright and pastel colors found throughout many of my MONOLISA designs.

Since I was a child, colorful objects have always connected with me, especially pastels, pinks, and purples. Creating this collection feels like bringing some of those childhood memories and emotions back to life. Every piece makes me smile. Check it out!

What new piece of equipment did I love this year?

My anodizing machine. Learning how to anodize titanium has been one of the most exciting creative experiences I've had in years. It allows me to permanently add brilliant colors to titanium and has completely expanded the possibilities for future jewelry designs. I can't wait to see where it takes my creativity next.

What was I most nervous about this year?

Whether I would have the strength and endurance to complete my schedule of 17 art shows. Living with ongoing health challenges has made me realize I have to listen to my body instead of pushing through.

Having my husband handle all the lifting and driving has made an incredible difference. It has taken away so much physical stress, allowing me to focus on what I love most—meeting customers and creating a memorable experience at every show. I feel incredibly grateful for his help.

What was most fun about 2026? Being at the shows—styling customers and catching up about life. I love watching when someone instantly connects with a MONOLISA piece. Add in the artist community and all the laughter—pure joy. I'm looking forward to more of these moments in 2027.

What helped me do better at art shows & festivals this year? Focusing on the right shows. I've been watching how the art show market has changed over the years and have gradually shifted away from many of the larger, unjuried festivals. Instead, I focus on high-quality juried art shows and smaller community events where customers come specifically to support artists and handmade work.

One of the biggest surprises has been seeing so many returning customers at these smaller community shows. Their continued support has allowed me to step away from many of the larger festivals, and many of these events have been just as successful while being much easier on me physically and logistically.

If I could change anything about 2026, what would it be?

I would have better health and be able to spend more time creating. Taking time to heal meant less time in my studio, which was difficult to accept. But for the first time in decades, I also slowed down enough to appreciate nature and the simple things in life.

I discovered a new hobby—birdwatching—and fell in love with the peaceful beauty of the 6 a.m. sky. I also learned to face my fears, like the mornings I came face-to-face with a coyote and the day I heard a rattlesnake just a few feet in front of me. Those quiet moments taught me to be more present, and I think that has made me a better artist.

What did I learn about balancing creativity and personal time?

One thing I discovered this year is that I don't always have to be productive. As an artist and business owner, there's always something that needs my attention, whether it's designing jewelry, preparing for an art show, or updating my website. I've spent years filling every available hour with work.

This year reminded me that taking time for myself is just as important as creating something new. I'm still learning how to find that balance.

What am I most grateful for in 2026?

The continued support of my customers. It allows me to do what I love every day—create with my hands. I never take that for granted. Some customers have been with me for years, and it's been such a joy getting to know them. We catch up about their travels, new grandchildren, upcoming events they're shopping for, and sometimes even the health challenges we're both navigating. Those conversations remind me that being an artist is about so much more than making jewelry and handbags—it's about building meaningful connections.

I'm also grateful for the incredible community of artists and makers around me. It has been such a joy discovering their work and supporting their businesses. Take a peek at some of the beautiful pieces I've collected!

What continues to inspire me after nine years of MONOLISA?

The people I meet along the way. Every art show brings new conversations, familiar faces, and unexpected moments that remind me why I started MONOLISA.

I especially love seeing customers discover a piece that feels like it was made just for them. Even after more than 230 shows, those experiences never get old.

What will I do differently in 2027? In 2027, I plan to avoid overnight hotel stays and events that require traveling too far from home. I'm trimming down my show schedule and focusing on events that align with my health, logistics, and customer base. After doing more than 230 shows, I've learned what truly works. I also realize how valuable it is to sleep in my own bed at night. Sometimes driving a little farther to get home after a show is absolutely worth going the extra mile.

What am I looking forward to most in 2027?

Continuing to improve my health and getting back to spending more time doing what I love—creating jewelry, designing handbags, and connecting with customers at art shows. I've made encouraging progress with my health in recent months, and I'm hopeful that 2027 will bring even more improvement.

This past year taught me the importance of slowing down, listening to my body, and appreciating the little things in life. I'm looking forward to a healthier, more balanced year filled with creativity, new experiences, and plenty of reasons to smile.